The release of the actor-oriented film "Dalbari" in Filmo became an excuse to review Hengemeh Ghaziani's career in Filmoshot. Stay with us.

In Iranian cinema, we rarely see films made that rely on the presence of one actor at all times and turn into a one-man show. "Delbari" is such a film that can be read as a complete solo show by Hengameh Ghaziani; In the role of a woman who witnesses the martyrdom of her veteran husband at home and in the face of this event, she seeks to discover an answer about her and her husband's life together. The release of this actor-oriented film is an excuse to review Hengameh Ghaziani's career in Filmo Shot.

In Iranian cinema, there are issues that require a series of preliminary explanations and background assumptions in relation to a different mechanism compared to the main components of world cinema. For example, one cannot discuss the box office sales of Iranian films without referring to the special and somewhat strange mechanism of the country's cinemas; Or can't we talk about the limitation of the genre and the story variety of the scripts and not mention the audits and the effect of censorship in the direction of Iranized stories? Or, for example, in the field of acting, especially in the field of women, one cannot enter into a discussion and not consider customary, physical, and age restrictions.

Now that we want to talk about Hengameh Ghaziani's acting career, we must mention his more difficult path to overcome a series of presuppositions and obstacles in the conservative Iranian cinema and consider his difficult conditions to be accepted in the cinema society and in the eyes of the audience. Especially if we remember that this participation was not limited to one or two specific films and was associated with the best and highest artistic output, credit and cinema awards and cooperation with some of the best filmmakers of the country for about a decade. An actor like Hengameh Ghaziani has had unique characteristics in the scale of Iranian cinema. For an actress who at the age of 37 has just experienced her role as a king with the brilliant film "Behin Sahsita" directed by Reza Mirkarimi, and with the first important role of her artistic life, Simorgh won the best actress in Iranian cinema, the circumstances must have been a little different. be

The form and manner of this actor's performance in "Simply" which has now become his characteristic and ID card over the years, is an introverted game based on silence and deep and impressive looks, which is tied to the main characteristics of the character in such a way that the depth of the impact of a character It shows little action and little dialogue. This way of acting is not so strange in Iranian cinema, and maybe we can give examples from the stars of not so distant years such as Hediha Tehrani (among the female actors) and Mohammad Reza Froutan (among the male actors). Now, the difference in the performance quality of Hengemeh Ghaziani compared to the rest of the well-known and popular stars is an innate instinct of the actor, which happens to originate from within his own personality and is not acquired.

Maybe for this reason, judges, like most other actors, do not reach that marginal popularity in people's minds; Because he experiences that solitude and silence in his personal life as well. According to these points, for an actor who, unlike most of his contemporaries, has never entered the media and advertising market, or did not know and did not have his talent and cleverness, staying in Iranian cinema for fifteen years is considered a very important point. Note that Ghaziani only became known in his mid-thirties, and now that he has reached fifty years old, he still has a tangible presence among actors of his age and class.

In the career of Hengemeh Ghaziani, after the movie "Bah-e-Sajt" there are other important works such as "I am a mother" and "Days of Life". The first one was praised by critics and was associated with huge box office sales, and the next film, Simorgh II, brought this actor an effective acting career in only 5 years. These days, one of the less noticed works of Hengemeh Ghaziani has been published in Filmo; "Delbari" directed and written by Seyed Jalal Dehghani Ashkazari and produced by Seyed Mahmoud Razavi, produced in 2014, which was also present at the 34th Fajr Festival. A work with a special narrative, which, although it did not find a high place in Ghaziani's career, but one can still see the actor's acting style, which is far from showy and simple.

In recent years, we have witnessed the lack of work and the diminution of the presence of Hengemeh Ghaziani in the field of cinema. Perhaps the more serious activity in the field of music, which also brought him success and went as far as performing a concert for women in the Unity Hall, is one of the reasons for his more selective presence in theatrical works. On the other hand, unfortunately, Iranian cinema still has a fundamental problem in the variety of stories and the use of the potential and talents of its actors and filmmakers. Perhaps one of the reasons for the lack of work of actors such as Hengemeh Ghaziani is the presence of repetitive roles, which prevents them from appearing in movies and television works for fear of being repeated and stereotyped. However, recently, the series "Hamganeh" starring Ghaziani along with a group of Iranian cinema stars has been aired and it promises the bold and renewed presence of this actor in the country's drama arena.

We still believe that the capabilities and abilities of Hengemeh Ghaziani are irreplaceable and unique, and like the example of the works mentioned in this article, it is enough to provide the conditions for the shine of such actors to show off the differences in the form of performance and conveying feelings to their audience.